WEIRD at NIGHT is a surreal, art share, live stream hosted by Patrick Galactic every Saturday at 10pm PT. The show has four key principles: Time over money; People over profit; Art is the antidote; attack with Love. Art is for everyone and diversity is essential to WEIRD at NIGHT. It’s important to feature Black, Asian, Latinx, Indigenous, LGBTQ+ Artists, Artists with disabilities, people from all places, experiences and ways of life. This is a live stream for the late night disenfranchised. And it’s weird as f***.

Live at 10pm this Saturday Night, it’s WEIRD at NIGHT! This week on our surreal comedy, art share, live stream extravaganza we feature a video by the BeautyBoiz; a queer collective, based in Seattle, WA. This video gives a behind the scenes look at their amazing work in live event and media production over the last couple years. Also, music videos by TOPP, King Youngblood, and The Blood Plums! Topp’s video Sanity (ft. Yet) is a powerful video about how they persevered after losing a parent with a passion for music. The Blood Plums are an incredible punk band from Atlanta; Saturday night we’ll watch a live performance video for their song ‘Stuck’. And King Youngblood, rising Seattle stars, just released ‘A Thousand Songs’ with a really cool lyric video.

"Art evokes the mystery without which the world would not exist." (René Magritte’) In their last two episodes Weird at Night traced their dada art roots back to André Breton, who published ‘The Magnetic Fields’ in 1920 and then swam toward surrealism’s present with a short film featuring the paintings of René Magritte’. Now, they reach our present with a surreal collaboration; Monster Planet's CYBERJUNK 2021. Nadamucho Newsy News will introduce us to a new amazing playlist of independent music, plus a music video from Air Jazz and recorded live performances by Khu.éex' and Gifted Gab. Not only that, The Goblin Bird has returned to the WAN-iverse with a public service announcement.

This is a live, surreal comedy, art share hosted by Patrick Galactic where weirdness, participation, compassion and an enthusiasm for ‘Dada’ art is encouraged. The art, poetry and performance produced by ‘Dada’ artists is often satirical and nonsensical in nature.